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After
"You'll have to have them all pulled out" and before "You
might not" there are assorted purring and cooing
noises in the left channel Sexy
Sadie 2:29,
3:00 - Pitch of piano (whole track?) noticeably flattens. Sgt
Pepper's Lonely Hearts Club Band 0:09-0:10
- "Roll over boys / Roll over Maurice", heavily reverbed, just
before vocals start. (Paul) 0:26
- Drum beat under the word "play" is cut short, possible edit? 1:46
- Left channel, the clapping fades down and straight back up. I think
this may have been because there
was not enough clapping to fill the space required 1:56
- Right channel - The guitar ends very abruptly, as if edited off. Sgt
Pepper's Lonely Hearts Club Band (Reprise) In
the introduction, John says "Look up, Byeee". An increase in
hum is heard just before this as the 0:10-0:15
- Someone says "Winston" on the double bass drum beat. Followed
by a half awake "Haah?" from Lennon. Paul sings something high
pitched, sounds like "Pussy cat". 1:15-1:17
- After Paul's "Wooo", John says "Paul, hold my guitar
for me". Heard using OOPS. She
Came in Through the Bathroom Window 0:00
- John says "We'll listen to that now", probably in reference
to the previous track (Polythene Pam). She
Loves You 1:23-1:30
- Bad edit right after the line "I think it's only fair"...even
the cymbals sound different. The
drop in ends after the line
"Because she loves you". Not audible in Capitol Remix. 1:43
to end - Bad edit, this may only be in the Capitol "Beatles 1962-1966"
Album. The harmonica goes out of time, and the vocals suddenly double
track (Left ear) She
Said She Said 1:37
- "What I've Said"
<I want the ...> "I said no no ..." (Right) She's
a Woman 1:25
- Rhythm guitar drops out for one beat
Third Verse - Guitarist playing the "up" beat strokes
misses a chord change.
I IV
I
My love don't give me presents
I IV
I
I know that she's no peasant
I* IV
Only ever has to give me .... Where
I* should be the IV chord. The rest of the group change, but he doesn't! She's
Leaving Home 0:13-0:14
- Deep breath from Paul 1:24,1:28,1:29:2:45
- Switches being operated? Slow
Down 1:15
- One sings "Now you've got a boyfriend down the street". Another
sings "girlfriend," and seems to stumble over the "down
the street" part. Something 2:42-2:47
- Listen, very low in the mix, George starts to play a little 4 note riff
which causes him to miss his
start point, and so the real line fades in a little late! Strawberry
Fields Forever 0:59
- Perhaps the most famous Beatles edit ever.
In fact, it is actually two edits. The famous one is 1:17,
2:01 - Counting from one to four 3:27-4:05
- Left channel, lots of talking, sounds like directions of sorts. From
bootlegs, this seems to be "that's
terrific”, “here comes the weeoo' referring to the droning guitar note. 3:57,
4:03 - John mutters the famous "Cranberry Sauce" twice, followed
by "My mother The
song fades out in all cases before the end of the second "Cranberry Listen
to the bootleg versions, they carry both "cranberries" plus
lots Frank
Daniels is sure that he hears "I'm very hoarse" instead of the 0:03
- Left channel, "One for you 19 for me <cough> 1-2-3-4" 0:35-0:37,0:42-0:44
- Right channel drops out 1:38,1:45
- "Ah ah Mr Wilson/Heath" dropped into lead guitar track (!)
with audible clicks Tell
Me What You See Paul
tries out the initial line "If you let, If you let" before the
song starts proper. Also the hissing (of a
Tell
Me Why 1:42
- Edit, or dropout, between "so in love with you/Tell me why".
The level seems to drop sharply, and come in a little late ... The
Continuing Story of Bungalow Bill 0:14
- After the line "what did you kill..." Ringo says "I'll
tell you" 0:35,
1:12, 1:49 - Punch-ins at the end of each guitar/banjo bridge, before
the chorus. 3:04
- Print-through of the "Eh-up". Possibly prompting from another
Beatle? Also,
the lyrics on the CD liner are "So Captain Marvel zapped in right
between the eyes". It sounds The
End 0:28
- Someone counts "6," counting the measures of the drum solo. The
Long and Winding Road 0:18
- Microphone thump after "disappear" 1:53
- Click in vocal track The
Word 0:02
- Sharp intake of breath (right channel) 1:36
- Light drum clatter (right channel) 1:47
- "It's the" versus "'nd the" 2:09
- Some talking, right channel (CD only) 2:15
- The harmonies for this are "flown in" from a separate tape.
Listen carefully and you will hear "Say the ..." and then the
"wwwwooordd" slews up to speed. This
Boy 1:27
- Bad edit right after the line "'Till he's seen you cryyy"
in the chorus. Tomorrow
Never Knows 0:52
- ADT drops out early, leaving "It is being, It is" in the right
ear. At the same moment the organ 1:28
- Feedback from Leslie speaker. (Right, during "Love is all and love
is") Twist
'n' Shout 1:25
- Careful study of Paul's first "aaah" will show that half way
through the pitch flattens slightly. This is 2:27
- "Aaay" during last chord (Paul?) 2:29
- Cough during fadeout - most likely John, after that vocal! Two
Of Us 3:05-3:07
- Counting of beats to mark time, soft "thump thump 3 4" audible 1:11
- (Left channel) someone says something 1:35-1:54
especially loud at 1:46-1:53 Ringo hums the melody during the middle eight.
This left Joe 1:28
- (Left channel) John says "TELL me why."
It's possible that John says "I already TOLD you why;"
if so, "I already" is too faint to hear, but the inflection
is too unclear to state it conclusively. 2:36-2:40
- Ringo sings "in your mind" twice at the end of the song. What
You're Doing 1:01
- Paul sings "Please ... stop your lying". Backing sings "You!" 1:05
- Paul sings "You ... got me crying". Backing clearly sings
"Oo!" When
I'm Sixty-Four 0:38-0:42
- Bass Pedal can be heard to squeak 1:04,
2:00 - Paul sings "um um" along with the other instruments,
emphasizing the beat. 1:55
- Faint piano notes 2:28
- Edit in vocals track, "When I'm sixty four/ye
Hoo!" 2:37
- Faint whistle at the end of the track. Why
Don't We Do It In The Road 0:01
- Squeak during drum intro. 0:17,
0:27 - Someone (Ringo?) says "yeah" With
A Little Help From My Friends 0:00-0:02
- Centre, loud tweets during the word "Billy" 0:08
- Noticeable increase in mains hum as the fader opens for Ringo's vocal
(Right channel) 2:04
- Right channel, crackles in bass line (bad lead/connector?) 2:29
- Ringo admits that he wasn't confident about that high note at the end.
Here you can hear an edit to Within
You Without You 3:41-3:47
- George is singing along as (he?) plays the drum part, with an audible
"Da da da da, two .. We were" Words
of Love 0:59-1:04
- Possible edit or drop-in in guitar track (Left channel). Ringo's
bass drum squeaks through 1:04
- "And the band begins to play" ... They certainly do, but one
of the trumpeters decides to put in a little trill ahead of cue! 1:51
- The backing vocals come in a line and a
half late in verse 3 - "As we live, a life of ease" are
only in the mono mix. Yer
Blues 1:05-1:08,
1:20, 1:26, 1:49 - Feedback 1:31-1:40,
2:00-2:07 - Someone shouts out lyrics behind John's singing 2:25-2:27
- (Left channel) yells 2:29-3:16
- (Left channel) faint guitar 3:16
- The supposed "instrumental" verse at the end has some bleed
over from the vocals of another Yesterday 0:19
- During the word "believe" there is a squeak, sounds like from
a violin string. (Left channel) You
Can't Do That 1:23
- John's guitar changes tone on the pause before "Oh ..." in
preparation for the solo, or possibly a You
Know My Name (Look Up The Number) 4:10
- At the start of John's incoherent mumbling, someone belches. You
Like Me Too Much 0:00-0:08
- Scratching sound of the Leslie speaker revolving 0:08
- Click of the Leslie speaker turning off You
Never Give Me Your Money 0:14
- Piano notes 0:29
- Breath is taken 3:08
- Someone picks up a tambourine 3:46-3:56
- Talking and guitar playing. Specifically 3:52, what does John sing after
"1-2-3-4-5-6-7 ...". It's You
Really got a hold on me 0:25
- Unsmooth switch to a different take, unlike the switch at 1:00 You
Won't See Me 0:02
- Cough 1:05-1:07
- Paul sings "But I'd get turned away" or "But I get turned
away", not as often documented "But
2:32
- George (?) says something (Right channel) Sounds like "Y'row" 3:16
- Double Click (Left channel)
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