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A
| B | C | D | E
| F | G | Anomalies
H-I |
1:43
- Switch click as orchestra comes in (Right)
1:44-2:16,
3:50-4:19 - Mal Evans is heard counting the bars from 1 to 24; only about
the first dozen are
audible, starting at about three to 12
2:18
- An alarm clock sounds to mark the end of the first 24 bars
2:17
- Right ear - intake of breath
2:18-2:20
- Someone says "One" to mark the downbeat. Quieter, but audible
on the CD is the trailing
2:42-2:48
- Just before and after the words "had a smoke", Lennon starts
talking and carrying on,
most audibly a loud "hoooo" under the word "smoke"
(Right)
2:58
- (Left channel) sounds like a cough
4:50-4:52
- A chair squeaking (three creaks total). It's not paper rustling and
someone saying "Shhh"
All
I Got To Do
Squeaky
pedal on bass drum throughout song, esp intro.
All
Right
During
the chorus, the voices singing are not quite together. See Greatest Hits
1966-1970.
All
You Need Is Love
0:10
- Nasal intake of breath. Between the lines of the song he can be heard
chewing gum! Listen before
0:23
- Plink of a guitar/plectrum (Left)
0:25
- (Right channel) someone speaks".
It sounds like "then check it".
1:19,1:23
- Two edits in the guitar tracks, right ear
2:08
- Plinking notes, guitar or banjo sound. Don't seem to fit with song?
3:15-3:18
- Paul makes a few errors in the bass part. His speed varies all over
the place through this.
As
to the Paul V John debate, it is without doubt Paul that sings the "Woh
Yea" toward the end, much
And
I Love Her
1:08-1:17
- Loses double tracking
1:47
- Talking during end of guitar solo
2:10
- Someone "Dum Dum Dum's" the guitar line.
2:24
- Creak, someone leaning back in a wooden chair?
And
Your Bird Can Sing
0:02
- John/Paul takes deep breath under the cover of the intro. (Right ear)
Anna
(Go To Him)
Bass
pedal squeaks through this song.
Any
Time at All
1:32
- Talking in solo
1:48
- Edit in cymbals track
Bass
pedal squeaks yet again!
Baby's
in Black
1:30
- Bad edit, best heard in right channel, in the words "Babys in black".
The strummed guitar appears
1:44
- Double tracking error :
John
(1) says "And though he'll never come back..."
John (2) says "But though she'll
never come back..."
2:04
- Right ear, at the very end, there is a rattling of paper.
Being
for the Benefit of Mr. Kite
1:44
- Someone either punched out or faded out the beginning of the line "Having
been some days ..."
Birthday
0:40-0:44
- Whispering between vocalists.
2:04-2:06
- Previous take's "dance" shows through, resulting in Paul ending
up singing
2:32
- Laughter after the drumming stops.
Blackbird
Right
at the very start on the White Album, someone says "play" in
a high pitched voice.
0:59-1:14
- Rhythm guitar breaks up badly - more obvious on stereo than mono
1:20
- John - "S'at enough?"
Come
Together
1:27
- Someone shouts "All right" in the background before the line
"He bad production" (Right ear)
2:01
- Someone shouts "All" before John's "right" (Right
Ear)
2:30
- Talking. Especially audible "Look Out!" before the line "He
roller-coaster"
1:50,
1:55, 2:32 - There are two extremely noticeable dropouts near the end
of the song.
Devil
In Her Heart
Punch-in,
right channel, at George's first solo line (not audible on mono).
2:04
- False start in guitar figure
Don't
Bother Me
0:03
- Someone (George H.?) comments about it being too fast
Don't
Let Me Down
1:43
- Just after "it's a love that has no past", a faint "Believe
it/me" is heard.
Don't
Pass Me By
0:07
- Right channel, someone shouts something
1:45
- Most strangely, an alarm bell goes off in the middle of "unfair"
(Left)
2:31-2:37
- Someone (likely Ringo) sings out the beats from one to eight, and then
shouts "ooop". At the
2:39
- (Left channel) Someone shouts something
Drive
My Car
1:20-1:22
- Paul? sings "You can drive my car" under the last notes of
guitar solo. Listen carefully, the last
0:14
- The double tracking is not brought down fast enough after the end of
the second "Ahhh, look at all
1:29
- (Left channel) click
Everybody's
Got Something To Hide Except for Me and My Monkey
1:02
- Various shouts (left channel)
0:00
- Introduced with John saying "Queen says 'No' to pot smoking FBI
From
Me To You
Ringo's
bass drum pedal squeaks. (left)
Introduced,
at least on Capitol mix, by John's "Sweet Loretta Fart she thought
she was a cleaner","but
Outroduced
(!) with a policeman (from the "on the roof" session) saying
"I'm afraid its just too long",
Getting
Better
0:00-0:02
- Someone gives a count in for the vocals. Other talking.
0:28
- (Right) Edit in the word "Bett/ter"
0:34
- (Right) Someone shouts "Better" under Paul's vocals
0:43-0:44
- (Right channel) whistle
0:56
- Paul makes a verbal slip, "And you're doing the best that I can"
1:04
- Sound (same as 1:26)
1:07
- Piano and cymbal/hi hat do a "double skip", as if a faulty
edit. Doesn't sound intentional.
1:26
- Sound (right). Coming from the guitar, possibly a faulty amp/cable
Girl
0:59
- (Right channel) Someone (John?) coaches "tit tit tit."
1:30-1:50
- Harmony guitar line audible in right channel. Bleed-through?
1:53
- Sound of guitar being put down/picked up?
Good
Day Sunshine
0:07
- Cymbals come in suddenly, rather than a complete fade-in.
1:26
- Someone (John? Ringo?) repeats "she feels good."
This appears to trigger something closely
1:33
- Bad edit in piano track (right ear)
1:58
- Cut to four vocal tracks is abrupt.
Good
Morning, Good Morning
0:06
- "Hah!" (left ear)
0:16
- Edit in vocals, made audible by a cut off deep breath.
Throughout
the song, the right channel contains soft drum beats, ostensibly used
to direct the brass
2:33
- Where the "Good Morning" vocals fade out, there is an audible
click as the vocals/brass
stop. Just
Got
to Get You Into My Life
0:03
to 0:06 - Talking (Paul?) during intro. (Left)
1:44
- Strange guitar sound. (Centre)
A
| B | C | D | E
| F | G | Anomalies
H-I |